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Primary Flight

Primary Flight THE GREENWAY Project Teaser

Primary Flight

Here is a teaser for Primary Flight “THE GREENWAY PROJECT”

**via PF

The Miami-based street art collective Primary Flight will visit North Carolina from April 18th to May 8th to create a mural for the Spring Garden underpass section of downtown Greensboro’s Greenway–a 4 mile bike trail that circles the city being developed with a strong public art emphasis. Commissioned by the NC Arts Council, the mural will add a significant contemporary work to Greensboro’s public art landscape and beautify the underpass for trailgoers and drivers alike. A series of events–movies, lectures, and a public opening–will provide opportunities to meet the artists and learn more about street art as a medium and movement.

The Primary Flight project is co-produced by The Downtown Greenway and Elsewhere–a living museum and international artist project set in a former thrift store on South Elm Street–who will provide a base of operations for these artists during their time in Greensboro. The new mural will cover the seven currently gray Spring Garden Underpass platforms that support the highway above with bright lines and colors inspired by a Bauhaus building in Greensboro and the “movement” theme for this section of the trail. Events (listed below) will share the depth and breadth of street art practices with Greensboro audiences and participants, broadening exposure and understanding of their collaborative public practice while bringing together four exceptional Greensboro non-profit creative initiatives.

A group of 15 high school students will work with the artists to complete the mural as part of Elsewhere’s CoLab after school
program, an initiative engaging high school students in civic actions that explore and beautify the public realm.
Volunteers from throughout Greensboro will support the crew and continue to maintain this section of the trail.
The opening event on May 6 from 2-5 will host Chairman Rocco Landsman of the National Endowment for the Arts, as well as music, a beer garden, a six-person bicycle, and an interactive section of the mural completed by visitors over the course of the afternoon.

MOVIE: Exit through the Gift Shop
Wed April 18 7:30-9:30 ($5 at door) Triad Stage Upstage Cabaret A French immigrant obssessed with street art rises to fame, a Banksy film

MOVIE: Beautiful Losers
Wed April 25 7:30-9:30pm ($5 at door) Triad Stage Upstage Cabaret A documentary following a collective group of DIY artists who affected the art world

LECTURE: Primary Flight
Thurs April 26 7-8pm Weatherspoon Art Museum A traditional artist talk exploring the work of these Miami-based artists

CONVERSATION: Primary Flight
Wed May 2 8:30-9:30pm Elsewhere. A sidewalk conversation with Primary Flight held inElsewhere’s front window theater, moderated by Stephanie Sherman (Elsewhere) and Barbara Peck (Downtown Greenway)

OPENING:
Sun May 6 2-5pm Downtown Greenway. Greenway at Morehead Park (Spring Garden St & Spring/Edgeworth overpasses) APRIL 5, 2012. Greensboro, NC (2 of 2) Miami-based Street Art Group Primary Flight visits Greensboro to create a new Mural for the Downtown Greenway

About Primary Flight
Primary Flight is a collaborative curatorial organization dedicated to the production of site-specific, street-level and indoor, murals and installations. Since its inception in 2007, Primary Flight has brought together more than 150 of the world’s most influential artists to install their work live. Primary Flight initiated the revitalization of Miami’s Wynwood neighborhood through a series of outdoor murals created during Art Basel Miami by globally renowned street artists including Shepard Fairey, Retna, and Aiko. While Primary Flight boasts an impressive repertoire of works in galleries, museums, and most prevalently on the sides of buildings around the globe, Greensboro is pleased to host Primary Flight for their first public commission. (primaryflight.com)

About The Downtown Greenway
The Downtown Greenway is a 4-mile long loop that links neighborhoods across Greensboro through public art, sustainable transporation, and unprecedented greenspace. (downtowngreenway.com)

About Elsewhere
Elsewhere is a living museum set within a former thrift store. Elsewhere builds new futures from old things through creative projects, education initiatives, public works, and imaginative collaborations global artists that enliven and inspire downtown Greensboro. (goelsewhere.org)**


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“Bad as I Wanna Be” A Solo Exhibit of New Works by JESSY NITE

NoMoney_NoHoney

Be-My-Daddy-Jessy-Nite-primary-flight

“Bad as I Wanna Be” A Solo Exhibit of NEW Works from JESSY NITE.
Opening Reception, Saturday, February 11, 2012 7 – 11 PM

Private Collectors Preview Friday, February 10, 2012 6 – 9 PM rsvp@primaryprojectspace.com

As the opening exhibition of the 2012 season, Primary PROJECTS presents Jessy Nite’s first Miami-based solo exhibition ‘Bad As I Wanna Be’, an outspoken series of multimedia works evoking the spirit of rebellion, determination, success, luxury and gender identity from a pointedly feminine perspective.

Wielding brash confidence and overt sexuality as her metaphoric weaponry, Nite’s practice follows a lineage of groundbreaking female artists who have relayed their personal experiences within patriarchal paradigms (both within and outside the realm of contemporary art-making) loudly and not without explicit, often scandalous terminology. Nite relays her observations through a gritty, street-inspired lens revealing the aspirations and inherent limitations of the drive to win and win big. Holding fast to the live fast, die young’ spirit of punk rock and clandestine urban culture, Nite’s typographic work and multimedia installations are made for those who throw caution to the wind and fearlessly, publicly flaunt their creative (sometimes self-destructive) powers. Phrases and words reflecting Nite’s own brash, shameless confidence and street-wise swagger act as both a draw and defense: they are warning signs to those who fail to meet Nite’s own ruthless work ethic, but also a battle cry for all those who measure up.

A highlight of Nite’s prolific series of sculptures, print works and installations include a series of words, associated with Nite’s brash aesthetic: Paid (spelled out with hot pink jewels), Waster (pushing out of the wall in mirrored splinters) and Disappear Here (threaded through with boldly colored string). The exhibition’s centerpiece will feature a full-size bed, where visitors are invited to lie down and see the words ‘Bad As I Wanna Be’ hover over them in wild cursive letters. Customized jewelry pieces (ready-to-wear),

Jessy Nite is a multidisciplinary artist and graphic designer who has studied shoe design at the Fashion Institute in New York and Art Direction at the Miami Ad School. Nite has exhibited both fine art and design projects in Miami, São Paulo and Bangkok. Press coverage has included HypeBeast, the Fader, and CG+Bangkok. Nite lives and works in Miami.

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ARTCENTER/SOUTH FLORIDA SPOTLIGHTS MIAMI TALENT AND THEMES THROUGH PHOTOGRAPHY, MIXED MEDIA AND INSTALLATION

DamianSarno Medusa-lr

ARTCENTER/SOUTH FLORIDA SPOTLIGHTS MIAMI TALENT AND THEMES THROUGH PHOTOGRAPHY, MIXED MEDIA AND INSTALLATION

‘Center of Attention’ Features 40 Artists-in-Residence during Art Basel Miami Beach Week

ArtCenter/South Florida presents ‘Center of Attention,’ an artist-in-residence group show that spotlights local, professional talent during Art Basel Miami Beach.  Providing a platform for artists to educate, create and exhibit their work in 40 studios across properties at 800, 810 and 924 Lincoln Road, the non-profit organization is an incubator for contemporary art and has served as a launch-pad for many thriving careers.  On Friday, December 2, 2011 from 8:00 to 11:00 p.m., ArtCenter’s VIP Basel Reception will take place at the main gallery (800 Lincoln Road at Meridian Avenue, Miami Beach).  Sponsored by L’Chaim Vodka and SUSHISAMBA dromo, this special event is free and open to the public; the exhibit will be on view through January 1, 2011. For more information, please call 305.674.8278 or visit the website at www.artcentersf.org.

LissetteSchaeffler-'By-the-art-basel-2011-word-in-town

Artists include Lissette Schaeffler, a Cuban-born photographer who deals with the exploration of identity.  Her work is an extension of her environment, and for the ‘Center of Attention’ exhibit, is grounded in Miami’s seedy milieu of pay-by-the-hour motels.  Aptly dubbed ‘By the Hour,’ Schaeffler visits South Florida relics, examining rooms and the remnants thereof.

Nina-Surel_Musk-art-basel-2011-artcenter-word-in-town

From underbelly to ‘Understory,’ Nina Surel takes visitors to a world of whimsy with layered photographs decorated with jewelry, porcelain birds, buttons, textiles and lace coated in resin.  Rapidly gaining momentum in the industry with shows at the prestigious Praxis Gallery and at fairs in London, Buenos Aires, New York and Chicago, Surel’s process of layering literally addresses the multi-faceted and multi-dimensional lives of her subjects.

Damian Sarno, an ACSF artist-in-residence since 2004, is highly recognized for his larger-than-life portraits that use shadows pierced with warm colors to evoke shape, features and emotion.  In ‘Center of Attention,’ Sarno leaps from figurative painting to mixed media and installation.  Using refined techniques to share his past experiences, what transpires in his new body of work are feelings of containment and power, submission and dominance.  ‘Medusa,’ a handmade costume of interwoven black rope and knots, will be displayed on a dressmaker’s mannequin at ArtCenter/South Florida. “Storytelling is the inspiration for my work,” said Sarno.

Participating artists-in residence: Adriana Carvalho, Alex Heria, Amanda Serrano, Anthony Ardavin, Antonia Wright, Babette Herschberger, Beatricia Sagar, Damian Sarno, David Leroi, David Zalben, Doris Rodriguez-Graber, Ena Marrero, Franca Valeska Laufer, Franklin Sinanan, George Goodridge, Gustavo Matamoros, Hugo Moro, J. Kevin Foltz, Jules Lusson, Katerina Friderici, Kathy Kissik, Lissette Schaeffler, Luis Garcia-Nerey, Matu Croney, Natasha Duwin, Nina Surel, Pablo Contrisciani, Peter Hammar, Ramon F. Bofill, Regina Jestrow, Rene Barge, Rosa Naday Garmendia, Russell Sharon, Steven Gagnon, Susan Feliciano, Tom Cocotos, Tony Chimento, Venessa Monokian, W. Andre Allen and Wendy Coad.

 About ArtCenter/South Florida

Established in 1984, ArtCenter/South Florida (located at 800, 810 and 924 Lincoln Road, Miami Beach) is a non-profit 501(C)(3) organization that provides subsidized studio and exhibition space as well as teaching opportunities for emerging and career artists in their facilities at 800, 810 and 924 Lincoln Road, Miami Beach.  The mission of the ArtCenter is to advance the knowledge and practice of contemporary visual arts and culture in South Florida while providing affordable programming and work-space for professional artists.  ArtCenter/South Florida is open Tuesday through Thursday from 12:00 p.m. until 10:00 p.m. and Friday through Sunday from 12:00 p.m. until 11:00 p.m.  For further information please call 305.674.8278 or visit the website at www.artcentersf.org.

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@PrimaryFlight #ArtBasel #2011 2011 GRAFFITI GONE GLOBAL PRESENTS THE WORK OF ARCHITECTURAL CONTEMPORARIES AND COLLABORATORS MARC FORNES AND VOLKAN ALKANOGLU

Marc Fornes 2 for GGG-feature-art-basel-2011

Art Basel 2011 it’s sure to be an amazing week of events and new creations to experience so don’t stay home…

Volkan2-lr-primary-flight-word-in-town-art-basel-2011

2011GRAFFITI GONE GLOBAL PRESENTS THE WORK OF ARCHITECTURAL CONTEMPORARIES AND

COLLABORATORS MARC FORNES AND VOLKAN ALKANOGLU

December 1– 4, 2011

VIP Preview, Thursday December 1, 6 ­– 9 PM

The Rotunda: 3252 NW 1st Avenue, suite 101, Midtown Miami

MIAMI, FL (November 2, 2011) – Graffiti Gone Global (GGG), powered by SUSHISAMBA, announces its fifth consecutive exhibition of urban contemporary art and design during Art Basel Miami Beach.  At the center of GGG 2011 are three acclaimed artists whose respective focuses in architecture, design and street art speak to the brand’s evolving nature. The work of Marc Fornes, Volkan Alkanoglu, and Billi Kid of Public Works Department will transform the ‘Rotunda,’ a 10,000-square-foot cornerstone in Midtown Miami (3252 NW 1st Avenue, Suite 101). For more information, please visit www.gggexhibit.com.

A trailblazer in the field of sustainable architecture and design, Alkanoglu uses progressive techniques in the fabrication of his work.  An accredited professional of LEED (Leadership in Energy and Environmental Design), he selects low-impact materials for his work, producing designs that enhance their immediate environment.

This year’s GGG, will provide a platform for Alkanoglu and Fornes to again work alongside each other, following their participation in “Sukkah City 2010” where each artist impressed GGG’s Concept Developer, Shimon Bokovza, with their winning designs – P.YGROS.C/passive hygroscopic curls by Fornes and “Star Cocoon” by Alkanoglu.  Alkanoglu’s “Star Cocoon” is now part of the permanent collection at Yeshiva University Museum in New York City.  Additionally, in the past year, Fornes and Alkanoglu earned first prize for a collaboration piece for a Public Arts Project in Redondo Beach, California as well as first prize for their installation in Creve Couer, Missouri.

“GGG goes beyond celebrating urban contemporary design. It promotes a cultural agenda through art,” says Alkanoglu.  “As a trained architect I am part of a practice that encompasses both the build environment and methods of artistic representation.”

For this year’s exhibition, Alkanoglu designed “Public Figure” – a work that speaks to his mastery of design and interest in sustainable art.  His project is a geometric bench-like structure composed of opaque, high-density polyethylene. “Public Figure” is multifunctional in use, measuring 10 feet long and reaching 18 inches from the floor.   Alkanoglu describes “Public Figure” as an “urban device” that symbolizes social interaction through its two, infinite loops that are in “constant dialogue.”  The design is physically accessible to viewers, encouraging them to interact both with the design and each other.

Reinforcing the brand’s steadfast dedication to street inspiration is returning artist and curator, Billi Kid, the creator behind SUSHISAMBA’s permanent collection: the “Eames Inspiration.” This year, Kid will present his most recent project, “The Art of Basketball”, by Public Works Department featuring sections of the NBA All Star Game basketball court that have been re-imagined as design pieces for interior spaces.

The innovative assemblage of home-furnishings-meets-street reveals the dynamic nature of urban design as it can take life in a myriad of mediums that extend beyond the purview of the street.  The visionaries behind the basketball court designs include several GGG veterans as well as other top urban street and graffiti artists:

  • Billi Kid
  • ·         Ewok One 5MH

    ·         David Cooper

    ·         Cope2

    ·         Shiro

    ·         The Dude Company

    ·         Joe Iurato

    ·         Jack Aguirre

    Since its inception in 2007, GGG has showcased an international ensemble of artists whose work transcends the boundaries of street and gallery. In accord with the mission of GGG, Fornes, Alkanoglu and Kid have challenged traditional notions of urban contemporary design.  Hailing from the streets of New York, California and Connecticut respectively, their individual and collaborative works embrace the grassroot and “hands-on” mantra of street artists who choose to express art in their immediate environment.

    Marc Fornes 2 for Graffiti-Gone-Global-word-in-town-art-basel-2011

    About GGG

    GGG‘s mission is to celebrate the evolving art and culture of the street. Taking place annually during Art Basel Miami Beach, GGG is the only exhibit of its kind, showcasing the work of today’s most talented international graffiti and street artists. The project strives to break the barriers between the street and the gallery to bring the irrefutable influence of these creative energies on all aspects of design to light.

    For more information, please visit www.gggexhibit.com

    About SUSHISAMBA

    SUSHISAMBA is a lifestyle group with a deep passion for art, food, music and entertainment. SUSHISAMBA uses cultural inspiration to create a unique vision that champions advancements in cuisine, music, design and the arts. Please visit www.sushisamba.com for more information.

     Editor’s Note:  Artist biography and high-res renderings are available upon request.  Walk-throughs of the work in progress and behind the scenes access will be granted on a case-by-case basis during November.

    Location:

    The Rotunda

    3252 NE 1st avenue, suite 101

    Midtown Miami , FL 33137

    Show Hours:

    Thursday, December 1: 6PM – 9PM – Private Preview

    Friday, December 2: 11AM – 8PM

    Saturday, December 3: 11AM – 8PM

    Sunday, December 4: 11AM- 4PM

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    Get Familiar: Chris Oh from Primary Flight | @PrimaryFlight

    Chris Oh primary flight Primary Projects word in town-art

    Chris-Oh-primary-projects-scott-shannon-word-in-town-interviews-art-music

    Chris Oh has been a monumental part of the development Miami has seen in the Design District. From Culture Kings, to beautifying (with street art) some of the most neglected parts of Miami and now being considered by other countries as a blue print creator for his Primary Flight model, Chris keeps spreading his passion for Art.

    While others leave our city and become part of an existing culture elsewhere Chris helped our city create its identity from the existent culture. Learn more about Chris during our visit to his work space at Primary Projects.

    chris-oh-primary-flight-word-in-town-interview-art
    Miami

    WIT: For people who don’t know you, how long have you been in South Florida?
    CO: I kind of grew up in South Florida. I was here most of my childhood. The only time I wasn’t here was during college. After I was in New York and Los Angeles for a couple of years too. I’ve traveled all around the world and always find myself drawn back to Miami. There is a culture and style here that no where else in the united states has. Plus there is more beautiful women here per square inch than anywhere else in the US.

    Culture Kings

    WIT: How did your store Culture Kings come about?
    CO: Basically, I was fresh out of college. I was always a sneaker head and had always loved street wear. At the time there wasn’t many choices down here. There was ARIVE but they targeted a higher end demographic (unaffordable to most people). There was also Shoe Gallery, who their buying at the time catered more to the hood dudes. They were not up-to speed yet with NY and LA.

    Me being a purveyor of culture saw an opportunity to do something in an area which was the Design District, where no one at the time was doing any retail. I saw an opportunity to do something I wanted to do… I just did it. That’s it…

    I saw an opportunity to activate a new area of Miami and introduce a new demographic and culture to the area which I envisioned as a high end retail driven district and basically be the “Soho of Miami”.

    At the same time It gave me an opportunity to pay tribute and represent my graffiti crew CK, in a different way.

    WIT: Your store provided consumers with a little bit of everything, what was your vision at that time?
    CO: I saw Miami attempting to try and become a city with its own identity. The common perception of Miami when ever I told people in my travels it’s the whole party scene, South Beach, all night life, etc.

    They were not aware that Miami had an emerging culture of a bunch of kids who didn’t really have a direction. They would follow trends from LA and New York. That was a huge influence when I was growing up everyone would always want to be from LA or New York event though they weren’t. I thought that was a shame. They were not really representing their city… New York it’s just New York…

    It’s easy to move to a city like New York and fall into an existing scene and culture. I had an opportunity to do something for my city and a chance to dictate culture as opposed to just being a part of an existing scene or culture.

    I saw an opportunity to drive and create culture. I wanted to push culture and to push my lifestyle.

    WIT: Everything you had in the store was part of everything you had experience up until that time. How did the name come about?
    CO: The name was attribute to my graffiti crew. I was with CK at the time, as well as MSG. I was always into it but there were no outlets to purchase at the time any of the labels I wanted to buy.

    It being a dream, I just went for it. I was working at Merrill Lynch at that time and I saw there was no outlet for the culture that was forming so I did something I always wanted to do… I reached out to some brands that my friends owned and found a space in the design district. The area, at the time, didn’t have any life style or high end apparel stores. It was only furniture and galleries so I found a space and took a preemptive move to something I saw it might be something in the following 5 years…
    In the end, I inspired people to get up off their asses and pursue they’re passions.

    chris-oh-primary-flight-word-in-town-interview-art-kenton-parker-sculpture

    Primary Flight

    WIT: We touched on your history, a bit of the store but what led to this contemporary art collective you have created: Primary Flight?
    CO: Primary Flight was started by my partner Books Bishof. Originally it was just five or six walls. Me and my graffiti crew had been painting Wynwood since the late 90’s. So when Darrin approached me about the project I gave him a couple of my walls. At the time I put him onto a couple of other artist who were coming to town. It was just an organic process. It all started out of the love to create art. From that point it has blossomed into what it is now… The largest event parallel to Art Basel with its own gravitational force.

    WIT: Lets make it a bit more transparent for those people not familiar with PF. PF isn’t inside?
    CO: No Primary Flight is actually the umbrella term for everything we do. Really, Primary Society is our umbrella company, Primary Projects is our gallery space and Primary Flight is our mural programing. That’s what Primary Flight is. It’s urban modification and beautification. Primary Projects is more of our gallery projects.

    We are definitely more known for Primary Flight do to all the street art projects we have done through out the city and around the world. We do have that stigma. As supposed to Primary Projects were we do show some street art but we have given different identities by showing more contemporary art. That’s how we’ve given them different identities for their purpose

    WIT: Primary Flight’s took it upon your selfs to beatify an area which was a bit neglected by the city to show your art…
    CO: Yeah. At the time we had the Wynwood Art District who was struggling to have an identity and wasn’t able to get fast results with their vision of Wynwood.

    We naturally farmed that area do to the heavy commercial industrial zoning. It was just a neglected area where no one cared. Back then it was one of the only places we could find walls… Then as more galleries started popping up in the general vicinity it kind of made sense to stay there. We wanted to really turn Wynwood into an “Arts District” and by doing our programming with the murals, we successfully activated the area into a thriving Arts district. What we never planned on was us being a catalyst for gentrification. I guess our project was to successful…

    WIT: Where is Primary Flight heading now? Whats in the near future?
    CO: We are coming up on our fifth year anniversary. At Primary Flight we have always been about bettering the neighborhood. Even though it can become a catch twenty-two.

    We were part of the Wynwood Art District development but it kind of happened too fast. It has become something that people just come not only for the art but to enjoy the night life which has evolved since the globally known Art Basel.

    In turn this has become something great for the property developers who have also taken full advantage of the beatification process of the neighborhood. With that being said Primary Flight will be scaling down and at the same time making it bigger… Less murals but bigger murals by bigger artists. .

    Because of it will will have a lot less artists in town. Last year was crazy. We had way too many artist in town and we were spread to thin… Lesson learned so now we will go bigger and better… Besides our programing here at the gallery we will be expanding to South Korea, Japan and other countries.

    We are taking our Primary Flight motto which has proven to work and are going to apply it in other places. We have gained interest of other city’s who want to do similar things. Our initiative really did help the neighborhood to race an incredible amount of revenue. Because of that experience we can take our blue print and apply it to other city’s to get similar results… So now that we have created that awareness other municipalities and city’s could see the benefit of doing similar projects. It could be exercised world wide!

    Although our funding and backing has been dramatically reduced do to our economic state. It feel great to see how our blue print, motto can be used to help our city and other countries even at times like this. It’s a great feeling to know that this can help others how it has helped our city… Wynwood and the Design District are the only two areas of Miami that actually saw growth during the economic downturn. I guess this is the reason that city planners and councilman always look to me for advice.

    WIT: Oh man, that sounds pretty amazing…
    CO: Ultimately it’s about putting art in public places to all kinds of different people have access to it and are able to enjoy it. We do it for the streets. For real. Its not just a rap line. We live this shit and we really do it for the streets and people in those communities.

    Wynwood was an is an ideal place because it was a lower income and those are the areas who need the most positive influences. Risking to sound to riches or political; we know that lower income areas have the mentality that you either “ have a sick jump shot or sell crack rock” to get out so if we can cause a change on a few minds to see art as a way out, that’s a huge success.

    Must likely a young person has never thought about art as a career and if they have they can’t afford the materials; however, they do have spray cans in their garage or other materials which don’t cost as much. At the end of the day if that’s their way into art, so be it. That will be something positive which will keep them from walking the wrong path…

    WIT: You have created a system that’s duplicatable?
    CO: Sort off, I mean there have been a lot of unique circumstances which have made Primary Flight possible to position our selves from our art background to our relationship with other artist, etc. The time frame that we set about doing this whole project was a crazy time were street art and graffiti started to gain respect amongst the art world.

    I cant say it was some proverbial alignment of the stars or anything like that but it happened and that made Primary Flight possible. It was a perfect scenario.

    WIT: I feel it’s a great thing you did it from here in Miami…
    CO: I think it’s absolutely important to represent your own city! It’s easy to go to somewhere like New York and become or be absorbent to an existing culture but once you define the culture in your own city and help define it and drive it… It’s something that has always been important to me and it’s something that becomes part of your legacy. I’m not religious or have dreams of grander but if I can help inspire someone to take become an artist then we all win.

    WIT: Some times we need something bigger than our selves to keep us going, would you say this is your big thing?
    CO: I don’t look at it like that cause my life has been this natural progression of bigger and better. I have been able to pursue the things that have grown as i have grown. It has been a total growth process. It just happens as I keep moving forward…

    I’ve been fortunate to have been able to pursue my passions as a profession. I think that’s one of the most important things in life!

    Change

    WIT: Is change important? How important is it not to be rigid in life?
    CO: Change is a constant. It’s the one thing you can always count happening so you have to not only welcome it but in my case I find it refreshing.

    I don’t want to see the same thing over and over again. Change, it can be negative or it could be positive. Not matter how you like at it; it’s how you adapt to it… That’s evolution.. Just how well you can adapt to change. I don’t know, change has become this fad term used by politicians so much that has kind of lost its meaning to the point that I really don’t understand it any more.

    WIT: For anyone being a little apprehensive about coming out to the galleries or just being exposed to art what advice do you have?
    CO: Primary Flight’s ultimate goal has alway been to educate the public. We wanted to be that lowest common denominator or that influence which makes you explore the galleries or the fine arts. Street art is a great “gateway’ art, similar to how they say “marijuana” is a “gateway” drug.

    I don’t know how many people have told me that they had never been to the art district in Miami but seeing that SONI “Boom Box” on the side of I-95 has giving them a door into Wynwood and now they’ve become a part of the art scene…

    I’m all about the growth of the art scene and the enlightenment of people into the art scene. That’s basically what has been all about…

    retna-piece-chris-oh-word-in-town-art-interviews

    WIT: Is it really that pretentious?
    CO: Well, you’re dealing with people who are used to a level of exclusivity not only with their intelligence and taste but also what they pursue, follow and their interests… It’s kind of like an elitist thing but it doesn’t mean you have to stop pursuing it or try to get involved into the arts because of that reason. What we do is the paint truth. It’s not pretentious. It’s on the streets for everybody to enjoy for free.

    I mean, it might seem like a huge hurtle at first but it’s not really hard to break into it… Specially with what street art is in the world today. I think is more welcoming than any other art form. Which makes it a great time for people to get into art…

    Art and high art has to be taken for what it is, Art. The message can’t be taken literaly… If you see a painting of a swastika or Hitler don’t think right away that the artist is pro-nazi or Hitler. Some times you have to know the concept behind the work to understand the message the artist was trying to communicate.

    There are usually multiple layers to an artist’s work. Sometimes we need to research to understand…

    WIT: Would we ever see another Culture Kings Store?
    CO: Probably not… I mean I’ve done sneaker collabos, I’ve done G-Shocks, I’ve don’e New Era’s and all the collabos I ever wanted to do. My taste has grown outside of street wear. Although I have an undying love for street wear; I come from that culture. I’ll always love a graphic but I think I’ve grown more into lifestyle. I love to design but now that I’ve traveled a bit more I’ve gotten to enjoy different seasons and I kind of reflect that… It’s GROWTH. That has been my main story…

    The more I do, the more of a legacy i leave. The more of a legacy I leave the more people I influence and live on. Thats how I fight mortality! I have to be an agent of change or else i feel that my time on this earth was wasted.~ Chris Oh

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    PRIMARY FLIGHT LAUNCHES “PARA MI GENTE” EXHIBIT AT PRIMARY PROJECTS SPACE – OPENS MARCH 12, 2011/ DESIGN DISTRICT, Mia

    Here is the latest project being put together by Primary Flight. Images of their current installation coming soon… Werd!

    PRIMARY FLIGHT LAUNCHES PARA MI GENTE EXHIBIT AT PRIMARY PROJECTS SPACE – OPENS MARCH 12, 2011, DESIGN DISTRICT

    FRED SNITZER, SHEPARD FAIREY and TRISTAN EATON CONTRIBUTE TO COLLABORATIVE  CHICHA POSTER INSTALLATION

    Miami, FL (February 8, 2011) – Primary Flight interprets the designs and concepts of more than 50 local and international artists in Para Mi Gente, an exhibition inspired by the Chicha poster art of Peru.  Translated as “for the people,” Para Mi Gente merges traditional Peruvian propaganda, contemporary art and graphic-driven installations. Participating artists such as Shepard Fairey, Tristan Eaton and gallerist Fred Snitzer have provided Primary Flight with vector images that will be cut into stencils and collaged together to generate one, fluid Chicha-style piece.   This show is co-curated by Books IIII Bischof, Typoe and Chris Oh.

    Slated to coincide with Second Saturday Art Walk on March 12, 2011Para MiGente is Primary Flight’s sophomore exhibition at its 4,500-square-foot Primary Projects space (Atrium Building, 4141 Northeast Second Avenue, Suite 104, Design District).  The exhibit is free and open to the public, and will be on view through April 2011.  For more information please call Chris Oh at 954.801.3945, email info@primaryflight.com or visit www.primaryflight.com.

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